John K. Samson’s debut solo full-length feels tangibly Canadian in more ways than its subject matter.
Hey Rosetta!'s latest album Seeds is far from plaid-clad pop, with moments of subtle brilliance that make it a real Polaris contender.
It's impossible not to have fun listening to Galaxie’s Polaris-nominated Tigre et diesel, the francophone band’s third album. Photo courtesy of RueMasson.
There's something for everyone when Austra finds its strength in balancing different sounds and styles.
Polaris-nominated Ron Sexsmith is a known name in Canada, but not as internationally famous as some of our other celebrated folk stars.
The album is ferociously creative. Even if an all-solo-saxophone LP sounds entirely unappealing on paper, there is no way to prepare yourself for the actual sound of this thing.
A new Arcade Fire album is an event. Every time a new one drops, it feels as if it’s been a long time coming. And as a result every time, expectations are high. And damned if they don’t deliver.
Destroyer's Kaputt takes a whole range of influences and transforms them into a tidy whole, making it undeniably one of the most lushly textured pop albums in recent memory.
On the surface House of Balloons a contemporary R&B album, which would be enough to make this one stand out on this year's Polaris Prize Shortlist.
If the Polaris Prize was given on merit of album title alone, Timber Timbre’s Creep On Creepin’ On would take home the $30,000 without breaking a sweat.